Hyperallergic, September 2022, A Robot Dog Is Painting Self Portraits
CoinDesk, September 2022, Are NFTs Rendering Art Meaningless?
The Times, May 2022, Why Silicon Valley fell for an artist and her (robot) dog
New York Post, March 2022, Art produced by robot dog raises $40,000 for Ukrainian refugees
WORTH, February 2022, 'How Agnieszka Pilat's Painting Become Blue Chip Picks for Collectors and Titans of Industry
New York Magazine, January 2022, See Spot Paint Agnieszka Pilat has become the Silicon Valley elite’s favorite artist
The Boston Globe, January 2022, 'Portrait of a Robot as a Young Artist
Artnet News, January 2022, ‘Power in Society Is in the Machine’
Gotham Magazine, December 2021, 10 Visual Artists To Watch Right Now
FORBES, October 2021, Renaissance 2.0., Will Have You Second-Guessing The Future Of Technology
WIRED, September 2021, 'Portrait of Spot the Robot Descending a Staircase'
BUSINESS INSIDER, October 2021, 'Roboty to dzieci ludzkości'
CBS NEWS, September 2021, 'New Exhibition Brings Art to Life Through Technology'
MVS Noticias, September 2021, ‘Spot’ de Boston Dynamics, retratado por una artista al estilo de ¡Leonardo da Vinci!
Creator, May 2021, 'Discussing Machines, Technology, and Portraiture Painting with Artist Agnieszka Pilat'
Stuart, March 2021, 'Portrait Artist of the Machine World'
Paradox, March 2021, 'Artist Agnieszka Pilat Explains Why The One Percent Will Own Reality'
World Class Performer, February 2021, 'Short Life Lessons From Agnieszka Pilat'
Medium, October 2020: 'A Modern Day Love Story: A Painter’s Brush Meets a Robot'
Impact Wealth Magazine, July 2020, ‘An Outsider Shakes Up the Art Scene in Silicon Valley'
Resident, October 2019 ‘Pilat: Disrupting the Art World with her #disrupt Series’
Forbes, September 2019 ‘Silicon Valley’s Favorite Artist’
The Post Eagle, Oct 2019 ' Miami Art Week To Feature Works of Agnieszka Pilat'
Times Square Chronicles, September 2019 ‘An Artist Who Brings Technology to Life’
Bay Area Women Mag, May 2019, 'Technology Storyteller'
Cultbytes, November 2018 ‘The Artist That Became the Darling of SF’s Tech Elite’